"u pronounce it [bluːt] that is all u need to know", schreibt BLVTH in seiner Bio. OK, also bitte wie "Blut" aussprechen, und nicht wie "BLFT" oder Bluetooth. Das mit der Aussprache sollte aber inzwischen jeder kapiert haben, schließlich ist der in Berlin lebende Produzent ein echter Hans Dampf in allen Clubs und Studios, wenn es um Beats jenseits der trägen 808-Trap-Routine geht.
Zuletzt konnte BLVTH zum Beispiel Casper, Marteria und Ahzumjot für seine Künste begeistern. BLVTH, der multitalentierte Musiker beschränkt sich jedoch nicht nur auf Auftragsarbeiten. Auch solo geht es Schritt für Schritt, Tag und Nacht mit roten Augen weiter voran.
If your alias is spelled BLVTH but pronounced [blu:t], that should be a first signal that you’re not just trying to place yourself comfortably in an oversaturated jungle of electronic music. You want to stand out by turning heads, charming “s’cuse me-s” wherever you go, alienate, bend expectations. But not only via his chosen stage name, BLVTH flouts established principles. The half-Polish, half-Albanian, Berlin-based producer, singer and songwriter chases a vision in which his art is not merely a stand-out, but rather a stand-alone.
What sets BLVTH apart from musically kindred acts like Mura-Masa, Flume or Lorne is his willingness and grit to go beyond what’s approved in the current musical landscape, regarding his genre-hopping antics and convention-defying performance, manifesting himself in an erratic whirlwind of vigour and creativity. His songs and beats are melodic, hard hitting, experimental but nonetheless weirdly catchy, at times even anthemic. Having grown up with Punk and Hardcore and later straying with French-house and Trap, he describes his own music as Future-Grunge, a dystopian, ragged version of electronic pop and hip-hop. BLVTH is fresh and bold like an unexpected slap on the cheek and at the same time deep and contemplative like a good whiskey.
After autonomously releasing numerous EP’s and singles and producing for German Rap-Acts Casper and Ahzumjot, along with international acts such as K.Flay and Point Point, BLVTH’s latest cut “Pusher” is a surprisingly upbeat, bouncing, hip-hop influenced piece of music, featuring the artist’s trademark tuneful vocals and catchy toplines. The track, as well as the accompanied video, directed and filmed by Felix Aaron, is out now.
|“PRE-STADIUM TOUR 2019”; presented by NOISEY|
|Feb 20, 2019||DE||Köln||Yuca||
|Feb 21, 2019||DE||Hamburg||Prinzenbar||
|Feb 23, 2019||DE||Berlin||Musik & Frieden||
|Feb 24, 2019||DE||München||Kranhalle||
|Mar 14, 2019||DE||Mainz||Schon Schön||
|Mar 16, 2019||DE||Essen||Hotel Shanghai||
|May 30, 2019 - Jun 01, 2019||DE||Kaltenberg||PULS Open Air||
- BILL RYDER-JONES